Showing posts with label Chapter 7: Science. Show all posts
Showing posts with label Chapter 7: Science. Show all posts

December 5, 2011

Patricia Piccinini



still life with stem cells, 2002
sillicone, pollyurethane,clothing, human hair variable
game boys advanced, 2002
silicone,polyurethane,clothing,human hair
superevolution, 2000-2001
80x 80 cm
Digital C type Print
Edition of 30
the young family, 2002
silicon,polyurethane, human hair, leather, plywood
cyclepups: Angel, 2005
fiberglass,automative paint, leather and stainless steel


Patricia Piccinini was born in 1965 in Freetown, Sierra Leone. She is an Australian artist and hyperrealist sculptor. Her art work came to prominence in Australia in the late 1990s. In 2003 she was selected as the artist to represent Australia at the Venice Biennale. Patricia Piccinini looks at the current changes in technology in our world such as genetic engineering and virtual reality. She makes artworks about these subjects using the latest media materials and technology. Patricia Piccinini specializes in creating strange super real life forms. Her ongoing interest in with the possibilities of biotechnology can be seen in many of her works where she combines the mechanical, man made and engineered with the natural and organic. She will often make life size sculptures molded from silicone, acrylic and other materials but also works digitally, in the form of film, photography or multimedia installations.

November 9, 2011

damien hirst

away from the flock, 1994, sheep, glass, steel
Virgin mother, 2006, bronze
The Physical Impossibility of Death in the Mind of Someone Living,1991, tiger shark,glass,steel, 5% foraldehyde solution

the dream, unicorn, 2008, glass and steel

loves paradox, cows in formaldehyde solution, 2007, glass


Damien Hirst was born on June 7, 1965 Bristol, England. He is an English artist, entrepreneur, and an art collector. He is know around the world for his unique art and he is Britain's richest living artist. His art piece sell at auctions for millions of dollars. one of his art piece listed above loves paradox was listed at auction for $7 million but unfortunately didn't sell. Virgin mother statue installed in London is one of the largest bronze art piece in the world. His choice of works of art if very different than the other artists that i have seen artwork of but it was still very interesting.

November 6, 2011

Helen & Newton Harrison

Greenhouse Britain The Lea Valley: On the Upward Movementof Planning (2007)

ink on vinyl, ink, oil, colored pencil on vinyl

Sierra Nevada (2011)

aerial photograph, digital mapping, pastel, oil, and ink



Independence Lake Adaptation Site (2011)
photograph, pastel

Vision for the Green Heart of Holland (1995)
maps, drawings, video, text, ceramic titles installation view





Breathing Space for the Sava River, Yugoslavia (1988-90)

photo collage, texts, maps


"Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and other artists to initiate collaborative dialogues to uncover ideas and solutions which support biodiversity and community development."
"By the early ‘90s, the Harrisons perceived that every work they were doing either needed or engendered a collaborative group. As a consequence, they formed the Harrison Studio and Associates. There was the Harrison Studio in Borna, South Leipzig. In Bonn, with the Endangered Meadows. In Gouda, with Greenheart Vision. Most recently, the Harrison Studio Britain and, as an offshoot, the Harrison Studio Devon" (The Harrison Studio).

November 4, 2011

Alice Aycock


Starsifter, Galaxy NGC 4314

2005

Aluminum, thermoformed plexiglas, neon



The Theory of Twilight

1983

Steel plate and motor



A Salutation to The Wonderful Pig of Knowledge

1984
Steel, copper, brass, aluminum, formica, wood, plexiglass, L.E.D.s, motorized parts



Whirls and Twirls on a Vortex of Water

2008

aluminum and acrylic




Hoodo (Laura). From The Series Entitled How To Catch And
Manufacture Ghosts. Vertical And Horizontal Cross-Sections Of The
Ether Wind

1981/1991

Plexiglas, glass, steel, galvanized steel,
moving parts, neon light




Alice Aycock’s sculptures mainly are large graceful forms, extremely detailed and mechanical, recently becoming more predominate with neon. Her themes are physiological disorders of the mind and industrialism. “Aycock relies on paradigms, cybernetics, phenomenology, physics, post-structuralism, psychoanalysis, information overload, outdated scientific thinking, and computer programming to create a "complex" that is architectural and sculptural as well as mental and emotional”(Robert Hobbs). She incorporates the mental disorders being linked perhaps directly to the estrangement of postmodern life into her sculptures.

For her artwork How to Catch and Manufacture Ghosts: she explains that "For this piece I was inspired by devices and apparatus that I found in various history books on technology. The devices were archaic 18th century and 19th century objects that are no longer relevant...The piece is in large part my interpretation of the history of invention..."(Alice Aycock).

http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10455

http://www.usfcam.usf.edu/gs/artists/aycock_alice/aycock.html